As a graduate student at the prestigious Domus Academy in Milan, Italy, Rodrigo Torres discovered a profound connection between his Latin American cultural and modernist influences and the school's approach to design as a marriage of the whimsical with the rational, the fun with the functional. The honest, sleek yet fun-loving aesthetic for which Torres' products would become known for pay tribute in large part to a central influence in his life, Italian designer Stefano Giovannoni, with whom he worked and studied.

These formative experiences were not only instrumental in helping Torres develop his unique language and international appeal as a product designer but were also part of the genesis of his fruitful and longstanding partnership with Landscape Forms. "My relationship with Landscape Forms goes back quite a while," recalls the designer. "After meeting a representative from the company in Milan, the relationship quickly progressed, initially leading to the invitation for me to design a lighting collection."

La colección de iluminación, que pasaría a conocerse simplemente como Torres, es una de las líneas de productos más célebres de Landscape Forms y obtuvo los premios Spark y Red Dot en diseño de producto.

"I really enjoy working with them for the way they continue to push a design-oriented and designer-led philosophy," says Torres of this experience. "It was an approach I admired when working with Italian companies like Alessi and Poliform, and I find it very exciting that Landscape Forms is a leading proponent of this philosophy in the United States. I really see them as a bold actor in the furniture and lighting scene."

Rodrigo Torres recently returned to Landscape Forms to take on a new design challenge-the reimagining of connected seating through the lens of versatility. "The beautiful challenge was to create something that stands out as powerful, bold and iconic, yet still is at home in any space," describes Torres. "So my approach was to use the minimum amount of shapes to achieve the maximum effect-a structure that's robust in its construction, flexible in its function, fluid in its simplicity and playful in its attitude."

Take-Out, the fruit of this recent collaboration, is truly an embodiment of versatility. A collection of intercompatible connected seat tables, Take-Out brings dynamism to a single space through its ease of configuration and reconfiguration. And across a variety of spaces, its agreeable aesthetics complement the gamut of architectural contexts.

"My initial focus for Take-Out was to create a collection that doesn't fight with its environment, which in this case is architecture," describes the designer. "This is so important because our clients are, of course, architects. And if I were an architect, the last thing I would want is a piece that is screaming and shouting for attention alongside my beautiful building, park or campus."

Simultaneously achieving these competing aims of creating something that "stands out as powerful, bold and iconic, yet still is at home in any space" seems almost like an impossible, paradoxical challenge. Yet for Torres, the path was clear: Utter simplicity was the only way to achieve such a result.

"Simplicity is the key. In the context of design and architecture, it's very difficult to bring together two different languages-imagine the challenge of trying to elegantly pair a modern piece of furniture with the Colosseo in Rome, for example," Torres describes.

"When you have a very powerful statement of architecture, you have two options: Match the language of that architecture perfectly or distill your design down to the absolute minimum. For this second option, the option I chose to pursue, the furniture needs to be anonymous from afar, not fighting for your attention in the space. But from up close, the furniture needs to put a smile on your face as you then begin to realize the shapes, structures, thought and attention to detail that went into designing that piece," he says.

The push and pull between the bold and the versatile wasn't the only challenge Torres faced in his design of Take-Out. Nearly two years in the making, the world that Take-Out would inhabit is very different from the world in which it was initially conceived. After the outset of the 2020 pandemic, Take-Out's focus began to evolve, its purpose becoming clearer and more profound.

"With objects, we can generate different rituals within human beings and how they relate to one another. At a park, on a train, or in an office space, each context drives the design language that will generate the object and its purpose," describes Torres. "Suddenly in the context of the pandemic, the outside world became the safe world-the safest place to be chatting with another human being is outside, and the outdoors quickly became the new green living room."

Energized by this new and vital purpose of outdoor space, the designer honed his focus. "The added goal for Take-Out needed to be a way to invite people to connect and enjoy public outdoor spaces as a ritual in their daily lives," he describes. "We needed to give people an absolutely simple system to be able to work, read, and relax on their own, then be able to turn around, easily join Take-Out pieces together, and all of a sudden have a safe collaborative space."

Torres concludes, “the beautiful thing about this project is that it was the first in my life to be born before a catastrophe, evolve inside of a catastrophe, and offer a solution for people to come out on the other side happier, healthier and with the resources they need to remain connected."